When in the Wild, Wild West

Deadwood, South Dakota

by Cassia Reynolds

The Wild, Wild West still thrives, albeit commercialized, in the teeny towns sprinkled along Interstate 90, which runs between the border of Wyoming and South Dakota. There are several almost-famous stops here: Rapid City (the gateway to Mount Rushmore), Sturgis (home of one of the largest motorcycle rallies in the world), and Sundance (the namesake of the Sundance Kid and the film festival). It’s a strange place, both because of the rolling, open landscapes of next-to-nothing and the surprisingly abundant, random tourist attractions. (Including: Dinosaur Park, Bear Country USA, and The World Famous Corn Palace.)

And then there’s Deadwood, South Dakota: population < 1300. I’d never heard of it until I was actually on I-90, driving past it.

My friend (a North Dakota local) and I were searching for a good fishing spot when we saw a billboard for one of its gaming resorts.

“What’s a gaming resort? It sound so snazzy.” I asked, oh-so-naive.

“It’s a kind of all-inclusive casino with bars and food and stuff. It’s awesome.” She told me.

“Oh. You know, I’ve never been to a casino.”

“What?” Her voice pinged sharp with a hint of incredulity. It was then that I began to understand how integrated the gambling culture was in this part of the country.

“Not a real one. Never even gambled before.” I shrugged it off.

“Then let’s go.”  She said. It wasn’t a question.

When we pulled up to Deadwood, all thoughts of fishing long forgotten, we found ourselves in an unexpected wonderland of outlaw debauchery. I kid you not, downtown is ½ gaming resorts, ¼ Harley Davidson accessory stores, ⅛ specialty cigar shops, and ⅛ cowboy outfitters. It’s as niche American as it gets. Everything’s packed together on the winding main street, which is so outlandishly decorated that if someone had told me I had actually taken a wrong turn and ended up in Disney World’s Frontierland I would have been less surprised. All that was missing was Big Thunder Mountain and a sweaty man stuffed into a rodeo-style Mickey Mouse costume.

I wasn’t really sure where all the people had come from, seeing as we were in one of the least populated states in the USA, but Deadwood was bursting with tourists. Tattooed biker gangs in matching leather outfits, booted-and-hatted cowboys with legitimate bolo ties, families with crying children, and groups of elderly poker-aficionados swarmed the sidewalks. We were the ones out of place; two twenty-somethings wandering slack-jawed down the street, unable to comprehend this hedonistic paradise we’d stumbled upon. The question on our minds wasn’t what to do - it was what to do first.

We climbed down a metal staircase and through a dank stone hallway to the basement cigar and bar (really - there was a set of beer taps and everything) of Deadwood Tobacco Co.

Intricate etchings of Day-of-the-Dead-style skulls decorated the walls and the boxes that lined them. It was quiet down there, dark, cold, and the air was heavy with the smell of tobacco. A woman behind the counter watched in amusement as we perused the wide selection of Sweet Jane, Crazy Alice, and Fat Bottom Betty cigars, Deadwood Tobacco’s specialty. She gave us a you-total-newbies onceover before helping us pick out two mild, hand-rolled stogies.

Our next stop was a biker shop, where we browsed through piles of clearance-deal Harley Davidson paraphernalia. The 2015 Sturgis Rally had ended earlier in the month and the sales were glorious. They had everything a motorcycle enthusiast with a Harley fetish could desire: branded shot glasses, bandanas, corsets, belt buckles, gun vests, and assless leather chaps.

I couldn’t help myself and ended up snagging a particularly kitschy (or badass, depending on your taste) men’s 2015 Sturgis Rally cut-off vest with frayed sleeves with an image of a half-Native American half-wolf face superimposed on a dreamcatcher. I’m not a big souvenir person but this addition to my wardrobe felt particularly triumphant.

When in Rome, right? I thought to myself.

We finally made it to the gaming resort, smashing a couple of beers in the connected Irish pub before heading to the Blackjack tables. The casino was teeming with older folk, flashy machines, and waitresses wearing shiny dresses and balancing trays of free cocktails above their heads.

When I traded in my $20 for chips, I mentally prepared myself to lose it. I had no idea how to play Blackjack. But it turned out that I didn’t need to know how to play Blackjack to play Blackjack because everybody wanted everybody to win. It was a no-competition gambling experience, just me versus the odds. The whole table gave me sympathetic looks every time I lost (which was more often than not). I still walked away $20 poorer, but with a pleasant smile on my face.

On our way back to the parking garage, my friend and I waded through a crowd of people watching a dramatic duel reenactment. Men in old-timey Western outfits shouted at each other on the street and fired off fake guns that made very realistic noises. Children watched with wide eyes and parents clapped. I briefly wondered where all those kids went while the adults gambled in the casinos.

In conclusion, Deadwood is a funny little place paying homage to the great pioneers of old, the lawless gunslingers, and the badass Western stereotypes that we all want to channel a bit sometimes.

Cigarros Cubanos: an Exploration of the American Dream

Little Havana, Miami, Florida

by Cassia Reynolds

Some people dislike the amount of Spanish language that’s crept into mainstream American culture. Me? I fucking love it. Lo amo. Dame más. When I dwell on what gives America so much of its unique color and spice, I always come back to its history as a global melting pot, a progressive nation of culturally-distinct individuals whose diverse backgrounds only add flavor to day-to-day life.

I’m also innately biased. I’m a first generation American; my mother is from Naguilian, a riverside village nestled between the mountains of the northern Philippines. I actually visited her birthplace for the first time earlier this year on a solo-journey to discover my roots. (Read more here.) It was an eye-opening experience and it gave me a deep appreciation for the opportunities I have here in my own homeland.

But what does any of this have to do with anything at all? Well, today I’m writing about Little Havana, a neighborhood that sits in Miami-Dade county, where about 50% of America’s Cuban and Cuban-American population resides.* Little Havana is not just home to Cubans, however. 94% of the population is Hispanic, and includes Nicaraguans, Hondurans, and Colombians, among others.*

Everything in Little Havana is in Spanish; from the store names spelled out in big block letters to the live music blasting from the bars in the middle of the afternoon. There are funky, Spanish-style, pastel-painted homes with burnt orange clay rooftops. Open cafes sell pastillas and empanadas wrapped in crinkly paper. Coffee shops offer teeny glasses of cafecito: strong, sweetened Cuban espresso shots. And right on Calle Ocho, the main artery of the district, is Dominos Park, where elderly men wearing starched, embroidered guayabera shirts and straw fedoras gamble around plastic tables.

Walking down Calle Ocho felt like stepping out of America and into another country. I loved experiencing a totally different culture without spending the time and money to travel overseas. Myself and a friend/fellow tourist, Christina, had only walked two blocks before we were serenaded by a man playing guitar and whistling through a leaflute and then given a lesson on famous salsa singers by several young men. The group, also visitors to Miami, then asked us to take their photos by the engraved stars of The Latin Walk of Fame that decorates Calle Ocho’s blocks.

We wandered toward the dark awning of Cuba Tobacco Cigar Co and into the shop for two reasons. 1) Because we were on a mission: Christina’s boyfriend back in Charleston is a cigar-enthusiast and she hoped to bring him back a token from our girlcation (wow, I thought I’d made that word up, but spell check isn’t even catching it). And 2) because the storefront was overwhelmingly kitschy-looking, sporting all sorts of cigar paraphernalia, including a wooden statue of a Native American wearing a skirt painted like the US flag, and an ornately carved table specially built for playing dominos.  

When I pulled open the glass door, I inhaled a deep whiff of fresh tobacco. Not the ashy, toxic-smelling haze that lingers after someone smokes a cigarette. No, it was more like an invigorating, herby, earthy scent. It reminded me of one of the best investments I’ve ever made: (and something I’ve been attempting and failing to find since) a bergamot tobacco scented soy candle from Urban Outfitters. I breathed in slowly, savoring the slight sweetness of the air as my eyes adjusted from Miami’s bright afternoon sunshine to the shop’s warm lighting.

The walls were lined from ceiling to floor with slender wooden boxes and glass platforms showcasing fat, gold-wrapped cigars. A sharp thud, like the sound an industrial hole-puncher makes when it’s pressed through an especially thick stack of paper, came from near the cash register. A man sat behind an intricately carved desk littered with crumpled, dried tobacco leaves, a neat stack of newly-rolled cylinders in front of him. Poised between his lips sat his own half-smoked stogie. Gray clouds billowed from his mouth as he puffed.

The man glanced up at us for just a moment before returning to his work, his steady, trained fingers carefully twisting together a wad of leaves against a flat, thick board.

While Christina inquired about purchasing a cigar, I meandered through the stacks of boxes, admiring several sepia-toned portraits of smiling men and women that hung down on the olive-painted walls. Most of the furniture was carved from a rich, dark wood that soaked in the light and caused the tiers of gold cigar casings to glow, like gemstones sparkling in the depths of a mine. The back room held two rows of desks, similar to the one out front, built for hand-rolling. And nearly everything was engraved, stamped, or pressed with the gilt-and-burgundy branding of Bello Cigars. Most boxes also included an image of the same elderly man wearing a panama hat and staring pensively out at potential customers.

I later conducted a little research and found out the elderly man whose image is plastered all over the store is Don Bello. The Bello family has passed down the tradition of cigar-making for generations, beginning in the Canary Islands. In the 19th century, Don traveled to Cuba for better tobacco growing. In the 1960’s, after Cuba nationalized the tobacco industry, Don Pedro Bello and his son, Pedro “Peter” Bello, immigrated to Miami. In 1994, Don and Pedro opened Cuba Tobacco Cigar Co in Little Havana. Today, the Bello brand is known worldwide as a high-quality product manufactured in Miami and Honduras.*

As I learned more about the history of Cuba Tobacco Cigar Co, I thought of the American dream. Don Pedro Bello’s entrepreneurial spirit and wild hope to find better opportunity in America, for his business and his family, reminded me of the same brave impulse that caused my own lolo (read: Tagalog for grandfather) to immigrate to this country. When he first sailed to America and settled in Indiana, my lolo had to leave behind his wife and seven children, working day and night until he could earn a living and eventually, over the course of nearly a decade, brought them one-by-one overseas to join him.

Today, my family is spread throughout the USA: Illinois, Indiana, California, and of course, South Carolina. My relatives work in many different fields: healthcare, construction, fashion, education, armed forces, and photography. At family reunions, we eat pancit, lechon, and arrozcaldo along with burgers, spaghetti, and barbecued ribs. We embrace a mesh of American-Filipino culture and there is no lacking in flavor, in color, in laughter, and love for what America stands for.

Little Havana is a historical representation of American values, ideals that sometimes get lost in the political mayhem of the 21st century. It’s the myriad of international communities found across this country, from New Glarus in Wisconsin to Koreatown in California, filled with immigrants and distinct cultures, that embody the all-American spirit. As globalization continues to grow, creating both new opportunities and problems to be solved, I can only hope that we can remember America’s foundation as a refuge, a country built on the courage of individuals who dreamt wildly and work tirelessly for a better life.

And whenever I overhear people speaking Spanish or pass someone eating Chinese take-out or find myself signing up for a Jiu Jitsu class, I feel most at home here in this world of opportunity, in the land of the free.

 

* "Ancestry Map of Cuban Communities." www.epodunk.com.

* "Census 2010." City of Miami Planning and Zoning. www.miamigov.com/planning/census2010.html

* "Legacy." Cuba Tobacco Cigar Co. www.cubatobaccocigarco.com/legacy/